What else is there to talk about except “How was the big party on June 25th for the DLF Voice-over Lab!?” Everyone seems to want the scoop on the big night, so here it goes.
My wife Amy and I arrived just after 7pm and felt like a couple of celebrities at the Oscars. Well overPhoto by John Taylor 300 people were in attendance at the SAG Foundation so everyone was quite cozy in the corridors with nothing else to talk about except what a stunning achievement the lab turned out to be. Reps from Marshall Electronics, Sennheiser-Neumann, and Tim Schweiger, BSW president were there and beaming with pride for the installation. It was almost hard to believe the night had finally arrived and the Lab's doors were opened to the world. People were getting excited to be the first ones to try out the Don’s old Sennheiser 416 shotgun mic in the solo booth or his Manley preamp in the classroom console. (Joe Cipriano took that honor June 30th while I engineered a session for him.)
Jo Beth Williams and Nita Whitaker did the honors cutting the big blue ribbon on the Lab door with camera phones and flashes firing off like the paparazzi! Guests took turns posing for photos in front of the donor wall and sign in the reception area. Even a few iPhone 4's made appearances, but I digress...
There were quite a few people watching from home as well because ERS and SAG Foundation streamed the event on-line (recorded feeds available on the website). Screened at the Actor’s Center and Voice-over Lab were video loops of presentations produced by Red Wall Productions and Casey Lewis with Jeff Reed. But the photo by Zurekhighlight of the night was when Paul, Joe, and I addressed the capacity crowd with our gratitude for a job well done and loving memories of Don. Almost the entire DLF VO Lab board was in attendance and shared the stage for a big round of applause. Great job everyone!
Recently I was interviewed as part of a series of videos promoting the Don LaFontaine Voice-over Lab, along with fellow co-founders Joe Cipriano and Paul Pape, as well as many of the other board members.
Recently I was commissioned by voice actor Chopper Bernet to assemble VO2GO kit for his trip to Europe. He gave me the special challange to keep the amount of equipment to an absolute minimum, since he and his family plan to check no baggage to make their lives easier and relieve the concern of lost baggage, which seems to happen more often than ever. While the equipment list I choose has become pretty standard (416, MicPort Pro), the mic stand choices are many.
As I was cleaning my office I re-found a cool camera tripod called the UltraPod, and an idea was born. Why not use this tiny, fly weight and versitle tripod as a mic stand, too? Not only is it as stable as the compact desktop tripod I usually provide, but it weighs less and can be strapped to poles, chairs, tree limbs, lamps, bike handlebars, ski poles, the list goes on! However, using a camera tripod to mount a microphone posed a problem: How to adapt the 1/4-20 thread to a standard 5/8" microphone clip? A bit of searching found my answer.
Why read when you can see in motion picture? Check out the Vlog post!
Luckily my visit to NAB wasn't 100% steeped in business. While in Las Vegas I finally got to meet the venerable Harlan Hogan and his writing partner Jeffrey Fisher, signing their book Voice Actor's Guide to Recording at Home and on the Road. Harlan just happened to have a Portabooth Pro he was happy to pass on to me, so stay tuned for my full review on his new product in the coming weeks. We'll have Portabooths along with us at VOICE 2010 to demo and purchase, as well as the Harlan Hogan VO: 1-a voice-over microphone. I grabbed a quick video of Harlan and Jeff, check it out.
Next up is Tim Schwieger, president of BSW and just all around great guy. Tim came to the rescue by way of his friend Joe Cipriano when we began searching for equipment donations to the Don LaFontaine Voice-over Lab. I cornered Tim to give us a short message on video about his motivation to become involved in our little project.
Finally, on my way out of town, I had the good fortune to time my visit with Dave "Courvo" Courvosier just right and witness his live news anchor gig at CBS 8 studio, just down the street from the convention center. After the 5 o'clock news, I received a guided tour of the entire TV station, including a stop by Dave's desk where he posts a daily video report of the day's upcoming news reports. Dave explains how he gets a good looking video posted to Youtube.
At the last minute I decided to make the pilgrimage to the NAB convention, held April 12th-15th and occupying the entire Las Vegas convention center. My primary motivation for the trip was to make contacts with manufacturers who might be willing to make equipment donations to the Don LaFontaine Voice-over Lab project. While Tim Schwieger of BSW is stepping up in a HUGE way and providing much of the equipment we need, it just seemed like a good idea to approach some of the companies in person we've already decided to use and perhaps take a bit of the load off BSW. Once we have commitments, SAG Foundation will announce the manufacturers and their contributions.
I did have an eye open for cool tools that may someday become the next big thing in voice-over. Some new on the market, some just new to me, here are few standouts that managed to catch my attention.
For any traveling voice-over artist it seems the holy grail is a way to "ISDN a session" directly from an iPhone. Imagine traveling with nothing but your iPhone, a shotgun mic, and a gadget to connect the two, like the Alesis ProTrack. That reality is one step closer thanks to the efforts of the engineers at Australia based Tieline Technology.
Their name may not have the brand recognition of Telos or Musicam in the US, but they make a very fine and affordable ISDN/IP codec device of which I've assisted in the installation twice. The Tieline Commander G3 Field unit can speak IP, ISDN, GSM, POTS, 3G/4G, Satellite, WiMAX, whatever technology you have available to you. It's lightweight, portable, and its built in mic preamps sounds remarkably good. But traveling really light means not bringing a dedicated piece of gear like the G3 Field.
"Report-IT Live" lets you connect to a Tieline codec like the Commander from anyplace with an Internet connection, either WIFI or 3G. It streams the audio to a Tieline Commander, as well as records the audio locally to the phone. You can send that audio via FTP to a server, or play it back later as a stream. If your location doesn't permit streaming, you can just record audio using the record function. It's possibly the least complicated and least expensive portable IP based audio codec in existence that is capable of sending FM quality 15kHz bandwidth audio.
Caveats: The other end must have a Tieline codec device and the audio quality doesn't quite match ISDN's L2 Mono 128kbps (but that will improve with updates).
Another lessor known in the US company surprised me with some interesting products. Most impressive is the Intellimix Versatile Desktop Mixer. It combines the best of all worlds: A simple user interface, a very compact control surface, fantastic audio quality, and powerful features. At first glance it looks too simple a design to have all the functions a complete voice-over studio needs, but that's the beauty of it. It's all in there, just hidden away inside the brain, a single rack space base unit.
Select Features include: * Ultra-compact 3 fader desktop Control Unit (190x290mm footprint/height 110mm) * Selected control elements for intuitive operation * Alphanumeric display for easy navigation * Level (PPM/VU) meters * Smart Card for individual user setups * Small-sized Base Unit (19''/1U) * 14 digital and analog inputs * Two high quality mic preamps * Multiple digital and analogue outputs * Two mix-minus feeds (phone patch and ISDN) * Full on-air light control * All digital signal path * Powerful Windows Configuration Software * I/O labeling (custom named input sources and output destinations on the mixer display)
While it is admittedly out of reach to some, it's approximately $3000 price can be justified by its future-proof design flexibility, lack of confusing buttons that can interrupt your work, built to last 20 years construction.
Also from YellowTec comes the PUC2 professional USB sound card. While most every USB audio interface made is designed for musicians to connect mics and guitars, the PUC2 is a professional broadcast-grade solution. Balanced inputs and outputs with AD/DA conversion at 24 bits up to 192 khz, and AES I/O for direct connection to an ISDN codec or digital mic preamp, it doesn't sacrifice your signal path. PUC2 also provides zero latency monitoring directly from the unit.